On February 1st, at approximately 7:30 p.m., I attempted to get a confession out of the "Pope of the Holocaust religion," Elie Wiesel.
We were in an elevator in the Argent Hotel in San Francisco. He was on his way to the 36th floor Penthouse. I had planned to bring Wiesel to my hotel room where he would truthfully answer my questions regarding the fact that his non-fiction Holocaust memoir, Night, is almost entirely fictitious.
After ensuring no women would be traumatized by what I had to do (I had been following Wiesel for weeks), I stopped the elevator at the sixth floor. I pulled Wiesel out of the elevator. I said I wanted to interview him.
He protested, grabbed at his chest as if he was having a heart attack. He then screamed HELP! HELP!
at the top of his lungs. This is someone who in his public appearances, speaks so softly, that when he appeared on Oprah, they had to use subtitles throughout the entire hour. Wiesel had dropped this phony persona and assumed his actual personality, of an insane lunatic.
I told him, "Why, you don't want people to know the truth?" His expression changed, and he began screaming again. HELP!
HELP! So, after pulling him about fifteen feet out of the elevator, alerting a few floors, I decided that it was time for me to go. He was no use to our struggle if he had a heart attack.
I fled from the scene, confident that the police would arrive soon and search the city looking for the person who attempted to forcefully interrogate a poor old "Holocaust Survivor", Nobel Peace Prize Winner, and most recently, "knight of the British Empire."
I had planned on either: getting Wiesel into my custody, with a cornered Wiesel finally forced to state the truth on videotape, getting arrested, or fleeing, and either way, exposing the "Pope of the Holocaust religion" for being nothing but a genocidal liar. However, a funny thing happened, Wiesel apparently never called the police.
Like the criminal he is, Wiesel knew not to call the police. Because he should be in prison for the multiple counts of perjury he has committed under oath which has put innocent and honorable Germans through misery and death. Calling the police would expose him and his tribe once and for all for creating the myth of "The Holocaust" as the President of Iran has rightfully pointed out.
I will point out a few clearly fictitious events in Wiesel's labelled "non- fiction" book Night, which I, like millions of naive schoolchildren, was forced to read early on in high school. Actually, I believe the same exact age he was forced into a concentration camp. I apologize for any small mistakes, and grammatical mistakes in this letter.
I left my original line of questioning in California, and am writing this in a hurry and from memory.
1) Moshe, a foreign Jew who taught Wiesel the Talmud and the Kaballah, is deported by the Germans. One day, he returns to town, and states he witnessed the Germans shooting Jews and throwing them into a pit.
According to Moshe, the Germans threw babies into the air and machine gunners used them as targets. Moshe had "miraculously" escaped after being shot in the foot and playing dead. He walked back to the town from which he was just sent to be killed, on a foot with a hole through it, and basically hung out, "like a ghost", as Wiesel writes.
2) On the box car to Auschwitz, a madwoman prophet starts screaming about seeing a terrible fire! And furnaces! The Jews look out the box car and there is nothing outside, only night, and the jews beat her.
Since I am not fifteen years old anymore, I know that supernatural prophecies are impossible.
3) The Wiesel family arrives at Auschwitz, and Elie is marched only feet away from a flaming pit. Suddenly, he notices a truck dumping babies into the pit!
There is a larger pit next to it, for the adults.
Miraculously, the woman's prophecy came true! I saw Opran and Wiesel at Auschwitz.
She believes Madame Schachter's boxcar prophecy came true, which is why she is on television.
The term "Holocaust" means "a sacrifice by fire." We are also lead to believe that Wiesel's mother and sister and little sister are thrown alive into furnaces.
The "Holocaust" myth is based on the Jewish "Moloch" myth, where jewish babies were sacrificed by fire to the god Moloch.
This was a very well known and popular myth at this time. This is clearly demonstrated in the classic German science fiction film "Metropolis", (directed by half jew Fritz Lang who was at one point offered a propaganda position by Goebbels) where the workers are sacrificed to Moloch and a "good German" attempts to free them.
This fictional film was clearly a partial influence for the film "Schindler's List", at one point, Schindler wears all white, from head to toe, almost an exact copy of the protagonist of Metropolis' costume, as he cools down "the workers" with a hose. The jews also walk like "the workers" in Metropolis towards "the ovens" Spielberg refuses to show, but represents with smoke rising out of a chimney. Right before this, it looked as though Spielberg was going to depict the famous "gas chambers disgused as showers", but water comes out of the pipes.
4) "Night" never once mentions homocidal gas chambers. Elie Wiesel took over ten years before he decided to write his fairy tale, and he picked the wrong "weapon of mass destruction."
At one point in "Night", Wiesel is doused in gasoline, to delouse his body.
This was the same purpose of the poison gas, the insecticide Zyklon B. German- American Prisoner of War Kurt Vonnegut best describes the actual and only use of "gas chambers" in his science fiction novel based on his true story, Slaughterhouse five.
On page 107, I believe, Vonnegut describes Billy Pilgrim's clothing being deloused by poison gas, killing the billions of deadly typhus carrying lice.
The sickening fact is that the poison gas the jews claim was used to murder them was actually used to save their lives.
5) At one point, the Germans hang three thieves. In the center is a young boy, who "being so light, hovered between life and death for half an hour.
" Where is God? Someone asked. A voice within Wiesel answered, here he is, hanging on these gallows.
This is clearly a direct copy of the story of Jesus, with Jesus suffering the most in between the two thieves. And so, this is how the Jews flipped the "blood libel" that the jews murdered the son of God, to "The Romans" killed six million of God's chosen people. (Hitler and Mussolini were attempting to recreate the Roman empire, the word "fascist" derives from the ancient Roman fasces, even the "Hitler salute" is actually a "Roman salute", a signal that he is unarmed)
Wiesel was inspired to write "Night" after being jealous that French Catholic writer Francois Mauriac kept talking about the suffering of Jesus.
Mauriac writes the foreward to my copy of the book, which also features an illustration on the back cover of the three characters hanging.
This event in this supposedly "non-fiction" book is a blatant re-creation of the crucifiction of Jesus. As a matter of fact, there is a moment mirroring the blood curse on the Jewish people, "His blood be upon us and our children" which was removed from Mel Gibson's "The Passion of the Christ" under Jewish pressure.
A few days before the three are hanged, one man is hanged and yells, "A curse upon Germany!" and is hung.
6) A jew dives head into a bowl of soup, apparently killing him, and suddenly Allied bombs begin to drop.
7) Wiesel is brought to the camp hospital of the so-called "Death Camp" where his injured foot is operated on. Wiesel then has a choice to stay in the hospital with his father and wait an hour or two for the Soviets to free them, or flee with the Nazis. He decides to go with the Nazis.
8) On this "Death March" and throughout the book, Wiesel creates a bunch of characters to progressively mirror his inner desire to leave his father behind as dead weight. First, a 13 year old beats his own father for not making the bed properly. Second, a son leaves behind his rabbi father on the "death march.
" Third, a son strangles his own father to death for a piece of bread.These events are so absurd, if they were put in a fictional novel or a film, they would be ridiculed.
9) Next, a violinist Wiesel met earlier ironically plays Beethoven, which the Germans forbid the Jews from playing, until he dies.
Wiesel wonders if this is a hallucination. No, it's just a pathetic fictional character Wiesel created, which, like almost every character in "Night", happens not to have a last name so historians can verify if they actually existed.
10) In the German concentration camps, there were indeed violins.
There were full camp orchestras, movies, swimming pools, plays, painting facilities, a post office, maternity wards, etc.. Even Schindler's List shows the construction and use of wonderful playgrounds for the inmates ' children.
11) There is a photograph which features a person who is allegedly Wiesel taken by the U.S. Army after the liberation of Buchenwald.
However, in "Night", he claims he was sent to the children's ward. The people in this photograph are men, some with full facial hair.
The bottom line is that there was never a plan to exterminate the Jewish Race.
The "Final Solution" was deportation to Palestine. The Jews were the enemy of the Germans and were put in concentration camps as were the Japanese in America. Their hair was shaved for the same reason their clothing was gassed, to prevent their deaths by deadly disease carrying lice.
Nowhere near six million jews died in concentration camps in World War II. Indeed the official plaque at Auschwitz was changed from 4 million dead to 1.5 million dead.
Even this number is an immense exageration. The Red Cross, which visited the camps (this is admitted in Night and Slaughterhouse Five) sent tons of food and aid to the POWs. The Red Cross's official estimates of Jewish dead, mostly from Typhus and Dysentery, which Wiesel saw his own father die from, are most accurate.
The Red Cross also never saw or mentioned any homocidal gas chambers.
This is because the Jewish led Soviet communists hadn't built the "gas chambers disguised as showers" yet. Chemist Germar Rudolph clearly proved that the alleged homocidal gas chambers at Auschwitz have no trace of the tell- tale "Prussian Blue" poison gas stains actual gas chamber walls with.
Germar is in a prison cell in Jewish occupied Germany. He was deported and sent to prison from the Jewish occupied United States, for his scientific facts. Elderly pacificist Ernst Zundel has been deported from the Jewish U.
S. to Jewish occupied Canada, and has spent years in prison, he is now in Germany for telling the truth.
The truth is that from beginning to end, Elie Wiesel's "Night" is the "Big Lie" Adolf Hitler warned the world about in his book "My Struggle.
" The beginning is Moshe's story about babies used as machine gun targets. The end is a lie Wiesel has already changed. In the original Yiddish version, Wiesel tells about how the liberated jews fled Buchenwald to "rape German shiksas.
" He then sees his reflection and punches a mirror, shattering it. In the French and English versions, the Jews "sleep with german girls," and he never punches a mirror.
In Kurt Vonnegut's book about the firebombing of Dresden, Germany, he admits spending years with a kind of writers block and after talking with a war buddy, decided that there was too little to write a non-fiction book about his experience as a prisoner of war.
In fact, as far as I got reading Slaughterhouse Five, the Germans treated the Americans and British extremely well. Vonnegut decided to write a science fiction novel, and so did Elie Wiesel, however his book is labelled non-fiction.
All people should demand that "Holocaust Survivor" Elie Wiesel submit to a videotaped polygraph test using questions prepared by French Professor Faurisson, who was nearly beaten to death by Jews.
Every hour Wiesel refuses to take a lie detector test is the hour it takes to read "Night."
Wiesel was fed and clothed for over a year by the Germans. His wife is a "Holocaust survivor", and two of his sisters, which he convieniently doesn't mention in Night, were "Holocaust Survivors.
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Every adult should walk into any public high school and demand to read a copy of the book their children are being brainwashed with. Read it and decide for yourself.
Any excuse Wiesel creates for refusing to take a lie detector test should be taken as an admission of guilt.
Even if you believe six million Jews were thrown alive into ovens and gassed in showers by Germans "just following orders", you should demand Wiesel submit to a lie detector test.
As the President of Iran has concluded, the Big Lie of "The Holocaust" must be exposed immediately to free ourselves from this tyranny.