London show, like the gigs around the world, sought to raise awareness about climate change and backed by Gore, whose campaign to force global warming onto the international political stage inspired the event. With shows in New York, London, Sydney, Tokyo, Kyoto, Shanghai, Hamburg, Johannesburg, Rio de Janeiro - and even a performance by a five-piece band of scientists beamed from a research station in Antarctica - organizers promised Live Earth would be the biggest musical event ever staged, dwarfing the Live Aid and Live 8 concerts. The 24-hour music marathon started in Tokyo, Shanghai and Sydney, Australia, where the show opened with a traditional welcome by a group of white-painted Aboriginal tribal leaders.
Live Earth was to wrap up later today with a New York show - actually held in nearby East Rutherford, N.J. - featuring The Police, Smashing Pumpkins, Alicia Keys and Bon Jovi.
Gore made a live video appearance from Washington to open the first show on the other side of the world in Sydney. He took the technology a step further a few hours later, appearing on stage in Tokyo as a hologram. "Global warming is the greatest challenge facing our planet, and the gravest we've ever faced," said Gore, who in his holographic appearance wore the suit in sight.
"But it's one problem we can solve if we come together as one and take action and drive our neighbors, businesses and governments to act as well. That's what Live Earth is all about." For the most part, the diverse range of performers wholeheartedly backed the call.
Organizers promised the huge shows were made eco-friendly by using recycled goods and buying carbon credits to offset the inevitable high power bills. Critics say Live Earth lacks achievable goals, and that jet-setting rock stars whose amplifier stacks chew through power may send mixed messages about energy conservation. Many of the stars were jetting off to perform separate shows afterward.
On her tour last year, Madonna produced an estimated 485 tons of carbon dioxide in four months, Britain's Guardian newspaper reported. In Sydney, an estimated 50,000 people grooved through a set by former professional surfer-cum singer-guitarist Jack Johnson, banged their heads to afro-haired 1970s retro rockers Wolfmother, and gave a re-formed Crowded House a rapturous homecoming. "This is so cool," Neil Finn, the singer-guitarist who penned the band's 1987 breakthrough "Don't Dream It's Over" and other hits.
"We are the groundswell." When a glitch cut the massive on-stage light display backdrop two songs before the end, Finn didn't miss a beat. "As long as the PA's going, everything's all right," he said.
Finn, like others on the bill, said Saturday's event drew a line in the sand for rock concerts: from now on, offsetting the carbon emissions caused by powering big shows must be factored in to the cost of putting them on. In Tokyo, Linkin Park singer Chester Bennington said in halting Japanese that the U.S.
rap-metal act had joined the show "because we can make a difference if we only try." "Linkin Park will try to have environment-friendly concert tour," he said. The Tokyo concert kicked off with a high-tech, laser- and light-drenched performance by virtual-reality act Genki Rockets.
Later, popular Japanese singer Ayaka urged fans to take up the concerts' theme of changing their daily habits as a first step to reducing global greenhouse gas emissions. In Shanghai, a lineup of largely local acts was joined by British singer Sarah Brightman. The show was less a concert than a made for television event, with an audience of just 3,000, seated on bleachers arranged before the riverside Oriental Pearl television tower.
Aboriginal tribal leaders with white-painted bodies and shaking eucalyptus fronds were the first to take the stage in Sydney, singing and dancing a traditional welcome to the sounds of a didgeridoo, a wind pipe made from a hollow tree branch. Problems and changes to the series continued right down to the last minute. A ninth concert - in Washington, D.
C. - was added Friday, and a Brazilian judge rejected a last-minute bid to shut down South America's Live Earth concert after a prosecutor had argued safety could not be guaranteed for an audience of 700,000 on Rio's Copacabana beach. Bob Geldof, who organized the Live Aid and Live 8 anti-poverty concerts, thought Gore's energies were misplaced.
"But why is he (Gore) actually organizing them? To make us aware of the greenhouse effect? Everybody's known about that problem for years.
We are all ...
conscious of global warming." Return to Top London show, like the gigs around the world, sought to raise awareness about climate change and backed by Gore, whose campaign to force global warming onto the international political stage inspired the event.
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