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Penny Ditch  |  by www.aolmusicnewsblog.com. All rights reserved. 7.04 | 0:19

enteratined a star-studded crowd at L.A.'s Boulevard 3 Feb.

22 as part of the 'Vanity Fair' Amped Oscar party. And while Macy's three-song set had Natalie Cole standing in the rafters singing along to every word, as well as fans like Chris Brown and Lil Jon on hand, the proudest was her producer/label head Will.I.

Am. Before heading in to introduce Gray, Will told AOL Music how much fun it was for him to produce Gray.
"I'm psyched about this one because I get to flex my production skills on something totally different," he says. "I did the Game thing, then the Nas thing, the Fergie thing, the Sergio Mendes thing, but Macy Gray is a different thing.

It's contemporary soul, classic type of production. I studied Natalie Cole's production, Anita Baker's production, Barry White's production, and then applied it to Macy Gray's album."
new album, 'Finding Forever,' due in May, finds production from and , among others, but it's a track from the late , called 'So Far to Go' which also features , that means the most to the rapper.


"That dude affected my life and music in such a positive way.

He was one of the greatest musicians," Common says of Dilla, who was also his one-time roommate. "When we went to the burial, I was looking at all the artists that were around -- , , all these great musicians. J.

D. innovated hip-hop and it's the quiet way that he did it. Many people don't know the influence he had on so many producers.

But from to Kanye, they have all said, 'This dude is one of my favorites.'"
Like many new artists who find themselves working with , was in disbelief at first. "I was like, 'Oh my gosh, I can't believe I'm working with Babyface.

This is so crazy!" she says.
When AOL spoke to recently about working with Mr. Edmonds, the rockers noted that Babyface works whenever he wants, even three in the morning.

McPhee didn't get any midnight calls to the studio, but she did learn about another one of Babyface's eccentricities.
"The biggest thing I learned was how hot the environment had to be for him to work in," she says. "He would turn up the heater and I would be dying.

It would be like 80 degrees with candles everywhere. All I know is that it was hot and I was sweating."

Those girls vying for the chance to sing with .

It's a nice gesture to give amateurs a chance to perform, but do we really need to see them holding hands in the front row over and over?

As someone who's been a fan since 'What's The 411?,' I am too thrilled to see finally get her due with the '07 Grammys for Best R B Song, Female Vocal and Album.

In true fashion, MJB testified and held super-long notes for her performance of 'Be Without You.' At one point, I thought she was going to kick off her shoes like and start crying "Where were you Daddy?" (Just kidding Mar, you know I love you.

)
While I didn't really care for the overdose of gold she donned on the red carpet, I was feeling the whole throwback Farrah Fawcett vibe she rocked during 'Runaway Love.' Watch out, girl. I already copied your '92 hairstyle with the slicked down pieces in the front and the spring curls in the back; don't make me bite this one too.


The took home a Grammy for Best Pop Vocal Performance by a Duo or Group for their 'Humps,' but what the hell was up with their ears? I wanted to pay attention as the eclectic quartet gave props to R B greats , but my eyes kept going to that crazy looking thing in Will.I.

Am's ear. (What, did the Tinman lose his Bluetooth?)
Meanwhile, Peas-ette gave new meaning to the term ghetto fabulous with those multiple bullet holes in her lobes.

Well, at least the group is consistent. Their fashion choices -- much like their music -- often leave me asking, "why?"
As far as first films go, says he had it pretty good working on Hard to argue, as he gets to work with and , whom we says definitely made things easier for him.

"She's passionate about what she does and she brought that to her character. And I had a good time doing that because I love being able to express love and romance, too. It felt good to be able to do that with a beautiful person that was open to being creative.

"
Common expressed some love of a different kind at the L.

A. premiere party, where he performed at the Hollywood Roosevelt Hotel with and "I wanted that premiere party to be something special, so I knew I wanted these certain artists to be there to perform," he says.
He wants people everywhere to know about the film and feel the enthusiasm he has for it.

"I feel like because I'm part of a movie I'm going to promote it like it's my album, no matter how many lines I got in the movie, or how few lines," he says. "Anything I do, I want it to have quality and integrity. If I put my soul into it, I want as many people as possible to experience it.

"
Share your thoughts on the upcoming event and check out our special , featuring , , , , and everything that you need to prepare for music's biggest night.
The awards air Feb. 11 on CBS at 8 pm EST.


A sense of anticipation hung in the air Saturday night at House of Blues Anaheim as Family Stone, the -endorsed ensemble featuring his sister Vet and niece Lisa, as well as original trumpet player Cynthia Robinson and Grammy winner Skyler Jett, took the stage at a few minutes after 10:30. Would Sly, a notoriously reclusive rock legend, show up as rumored?
Since an ill-fated comeback attempt in 1987, the man who bridged funk, rock, soul and a social conscience into the soundtrack of an era, has made very few public appearances, including the 1993 Rock Roll Hall of Fame induction and last year's Grammy tribute. An hour into the set, following a stellar 'Everybody Is a Star,' Vet asked the half-full venue, "Can everybody say, 'Welcome back?

'" And with that, the question was answered.
Attired in a long black coat, black pants, a red scarf and shades, and still sporting the platinum Mohawk seen on the Grammys, Sly came out and introduced one of his daughters to play keyboards. Following a brief classical piece, Sly took the keyboards himself to back up another daughter as she delivered a few rhymes.

Then it was time for the man to take over, sending the crowd into a dancing frenzy as he led a 'Thank You (Fallentime Be Mice Elf Again)' that was as celebratory for the occasion as the music.
Following a "We want Sly" chant that only ended with the promise he would return later, the Family Stone continued on, taking an extended 'Thank You' in a series of different directions. Sly did return to the stage briefly for to lead the refrain on 'I Want to Take You Higher.

'
Last year's Grammy tribute to funk and rock icon might have been just the tip of the iceberg. According to Vet Stone, Sly's sister and a member of the band formerly known as Phunk Phamily Affair but now calling itself, with Sly's blessing, the Family Stone, the ensemble will have new music out this year, and Sly is running the show again.


"There are recording plans for the immediate future, and Sly is doing all the writing and producing," she says.

As for when people will hear that music, Vet promises, "It'll be in 2007."
Fans in Southern California won't have to wait long, as the Family Stone will be appearing at House of Blues Anaheim on Saturday, Jan. 13, and Vet and fellow band member Skyler Jett promise they'll preview some new music, as well as reintroduce old favorites.

"We're playing the songs exactly like you heard them," Jett says. Vet adds, "And some refreshing new stuff for 2007."
Just as was the case a generation ago, Sly will once again be speaking to the issues of the day, according to Vet.

"I know he's very concerned about political issues, and I think that's a focal point of a lot of the new music," she says. Might Sly be there on Saturday? "This is not the show they want to miss," Vet teases.


If folks don't know the name , they'll recognize that sweet voice. Since the mid-'90s, Brown has been one of urban music's most in-demand collaborators, lending his talent to , among others.

But most people will know him from Brown's chorus on chart-topping 'The Way You Move.' Now Brown has stepped to the forefront with his long-overdue solo debut, 'Mr. Brown.

'

As a consummate professional, Brown isn't taking time to revel in the release, he tells AOL Music: "I'm happy, don't get me wrong, but I'm just really focused to go on, 'cause I feel like I'm in the race now.

"
With the shoe now on the other foot, what did Brown look for in the people he worked with? "Just people that I'm friends with and fans of, just the guys that I like," the soft-spoken Brown says. He prefers to let his music do the talking.

One thing the music suggests is that the singer is an old-school throwback.

"I'm a big fan of , , , , ," he says. "So when you hear my stuff, you'll definitely hear their influence.

"

, one half of the legendary duo , recently performed as part of the Kennedy Center Honors, which aired on CBS last week. Moore was on hand to pay tribute to his friend , but the real show took place at the post-event dinner.


"We went to dinner and right in front of me was Smokey and his wife.

On the other side was and on the other side of that was Berry Gordy, and was sitting next to Aretha," Moore says. "We had a great time. As long as I've known Berry I've never seen him have as good a time as he had.

We laughed, we clowned, we joked. It was an interesting afternoon."
The love didn't stop there.

Earlier in the day, Moore had a visitor. "When we were doing the Honors I was in rehearsal and someone said, 'A young man wants to say hello to you.' I said, 'Who s that?

' And they said, [ ] So I walked over and I met him," Moore says. "Man, he was so nice. Show you how stupid I am, I walked over and I started singing, 'Does that make me crazy?

'" Moore adds laughing. "He looked at me and laughed."
I had the pleasure of meeting , who died Christmas Day at the age of 73, backstage at a -organized benefit in L.

A. in March 2005. At the time, Brown, whose contributions to popular music are immeasurable, talked about living up to his moniker as the "Hardest-Working Man in Show Business" well into his 70s.


"We just do all the things that we can to keep this going, because at this point we need to teach these young people," the Godfather of Soul said.

"We gotta turn this music back around. If you don't, we can't keep on this. We're chaotic right now; that's gotta change.

If we don't change nothing we're gonna destroy everything. We've got learn to love each other."
Did he believe music had that capability to make change?

"That's the only way you're gonna do it," he said. "You can't learn if you pick up a gun. You can't make me love you and I can't make you love me.

But we can love each other through the spirit." Brown also spoke about why he believed so many artists who followed him felt, and still continue to feel, his influence. "I enjoy working with the young people," he said.

"The stuff they're doing is very elementary for me; I done did it so long ago. And I didn't have no help. We had to do it by hand.

Somebody pull the plug on a computer it's gonna shut off, whatcha gonna do then?"
And about one of the major contributions Brown made to music, changing where the accents fall on the beat, he had this to say: "For all your life, most artists, people, Beethoven, Strauss, Bach, Chopin, you name them, they were two-and-four," he told me. "But music is a-one-and-a-two, bam, on the downbeat, instant.

I was a computer by thought. Bam, right on it, what your computer is right there, that's where I was."

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The combination of R B crooner/producer and might seem an odd one, but when Fall Out Boy visited AOL recently to perform for AOL Sessions, frontman Patrick Stump told us he learned a lot from Edmonds, who produced two tracks on the band's upcoming 'Infinity on High' release.
"He worked me hard. He applied a lot of work to the vocals," Stump says. "But it was good.

He's an R B producer. He's all about singing and it was one of those things where I really had to sing. I couldn't phone it in.

He was, like, 'No. We're going to work today.' So I would leave the studio just exhausted from singing.

"
Meanwhile, Fall Out Boy launch a two-week 'Friends or Enemies' club tour on Jan. 4 in San Francisco, with , the and as openers, as well as on board for select dates. The jaunt concludes in Orlando, Fla.

, on Jan. 20, with additional dates to be announced.
Funk legend has teamed up with heavy-hitters from several different genres for his first-ever holiday album, The project features nine 'Bootsyized' yuletide classics like 'Winterfunkyland' and 'Jingle Belz', along with four original holiday songs, including a duet with called
Country legend lends his fiddle to the classic 'Sleigh Ride.' Former collaborators and also lend their voices to the album, while , and offer holiday greetings on the CD.


The Grammy-winning Collins is no stranger to such star-studded company. He has worked with a who's who of musicians throughout the span of his long career, including , , and .

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Keywords: Family Stone, r b, Aol Music, Fall Out, Macy Gray, Sly Is, Fall Out Boy, Skyler Jett, Natalie Cole, Out Boy
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